2005 / Berlin, Germany
What do I with a large, whitewashed studio space after several years not having such a workplace and thus locating much of my art practice outside of the studio? A historically constructed—and absurd—drama accompanies the artist’s “struggle” in the studio. Observed from a distance, a question forms: can a studio art practice make connections to a larger community of people and ideas and places?
Making visible the impact of the University of the Arts on land use in Center City Philadelphia and our role as active inhabitants of these spaces.
A set of site-specific interventions, performances, lectures and documents created in Alexandria, Egypt that included a workshop with local art and architecture university students.
Acting as both the Director of the Dept. for the Investigation of Meaning (DIM) and the Director of the Dept. for the Investigation of Radical Pedagogy (DIRP), much of my practice falls under the rubric of the Think Tank that has yet to be named.
Mapping and marking lost clothes found on the streets and sidewalks of Philadelphia.
A photographic series of Mess Punkt, or measuring points, reveals an alernative cartography of the city and the memory of my experience of it.
A series of projects which explores the socio-spatial divisions and potential connections between two adjacent districts in central Champaign that are bisected by the north-south railroad.
A web-based project which uses the weblog format to present concurrent and collaborative investigations and interpretations of Berlin.
A performative exploration of place, architecture, memory, provisional communities, provisional meanings, provisional monuments, the gloved hand of a construction worker swiping away gravel from a window sill...
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