Posted on March 18, 2008 in activism, collaboration, project news
I and a few other Directors in the Think Tank are slowly (so slowly, it seems) working on a third reader that addresses the issues of art, activism, and education. Along the way, we realized the potential for a related project in which we will each perform public orations of fragments of some of the texts that we find particularly resonant. The orations will be executed and documented in specific sites in the cities where we live—Philly, Boston, Chicago.
Today I was speaking with the Dean at the University where I teach who raised the question of reenactment—quite appropriately—wondering if that strategy was being employed in our project. Certainly, reenactment has been on a lot of our minds, especially given Mark Tribe’s recent Port Huron Project and Jeremy Deller’s Battle of Orgreave reenactment that a few of us recently saw at the ICA Boston (to name just a couple recent examples). I’ve also recently watched T.R. Uthco and Ant Farm’s restaging of JFK’s assassination, The Eternal Frame, which recreates the event as it was filtered through the lens (literally) of the Zapruder film footage. The historical reenactment is a powerful form, and within the spectrum of verisimilitude there are many variables to manipulate for meaningful re-presentation of the so-called historical event: site, persona, language, factual/fictional, mediation. Deller’s project is contextualized within the larger practice of popular historical reenactments, the kind of grand, period-piece performances of military battles and Renaissance fairs. Deller relied on these weekend pros to stage his elaborate reenactment of the coal miner labor strike in the UK that involved hundreds of clashing workers and police.
But I digress slightly. Our oration project is not about reenactment (or maybe it is, but in less specific way?). I think that it is more related to the tradition of public speaking—like really public speaking, setting up on a street corner, jumping on the soapbox, shouting it out. The project also satisfies a desire to get some of these texts we’re reading out there in some form even if only partially into the spaces of the cities where we live. Of course, I haven’t attempted the oration yet, so I’ll reserve judgment until then.
I plan to read a fragment that actually deals with the notion of city speech. It’s from a “Laboratory for Civil Discourse” by Steven Schroeder:
City speech is not simply or uniformly nice; on the contrary, it is often confrontational and rough. A place in which speech was simply and uniformly nice would be homogeneous and have nothing but smooth edges. [...] Beauty is defined not by excluding those who do not fit within existing boundaries but by crossing boundaries to acknowledge the fittingness of diversity encountered in the city. Crossing boundaries involves confrontation and is rarely smooth. But that it is part of city speech means that civil discourse has not occurred if boundaries have not been crossed.
Nor is city speech simply a matter of saying something. If it does not also ensure space and time in which to say nothing, the listening essential to discourse becomes impossible. In terms of boundary crossing, this means that civil discourse has not occurred if boundaries that define spaces of sound and spaces of silence have not been recognized and honored. Both sound and silence are crucial if the city is not simply to degenerate into a place of violence.
Finally, and most emphatically, city speech does not avoid argument. In fact, the rhythm of crossing, recognizing, and honoring boundaries is descriptive of the discipline of argument. [...] Where there is no argument, there is no civil discourse, and there is no city. Such a place is likely to be defined in one of three ways: either it is surrounded by an essentially impermeable boundary that excludes difference; or it is marked by violent struggle for control of turf; or (most likely) it is a mixture of both, with enforced homogeneity near the center of power and violent struggle for control of turf on the fringes.
I have learned this lesson well during the last few years of community work in Philadelphia. Civil discourse is tough; it requires constant attention and diligence, especially to resist the urge to retreat from the spaces of conflict (Meredith and I have jointly written about this before). I don’t always succeed; it’s a process of becoming.
So, I’m going to give a public speech about city speech in the city. But where? A little more thinking and research left to do before I make that decision.
« Place In Place Of: Alexandria / New Projects and Whatnots »
Making visible the impact of the University of the Arts on land use in Center City Philadelphia and our role as active inhabitants of these spaces.
A set of site-specific interventions, performances, lectures and documents created in Alexandria, Egypt that included a workshop with local art and architecture university students.
Acting as both the Director of the Dept. for the Investigation of Meaning (DIM) and the Director of the Dept. for the Investigation of Radical Pedagogy (DIRP), much of my practice falls under the rubric of the Think Tank that has yet to be named.
Mapping and marking lost clothes found on the streets and sidewalks of Philadelphia.
A photographic series of Mess Punkt, or measuring points, reveals an alernative cartography of the city and the memory of my experience of it.
A series of projects which explores the socio-spatial divisions and potential connections between two adjacent districts in central Champaign that are bisected by the north-south railroad.
A web-based project which uses the weblog format to present concurrent and collaborative investigations and interpretations of Berlin.
A performative exploration of place, architecture, memory, provisional communities, provisional meanings, provisional monuments, the gloved hand of a construction worker swiping away gravel from a window sill...
Browse more links at del.icio.us/jbeau